High contrast or low contrast? Measure yours in three steps

High contrast vs low contrast coloring: measure the gap between your hair, skin and eyes with a grayscale photo, then dress to match it.

Contrast is how far apart your hair, skin and eyes are in lightness. Dark hair with fair skin is high contrast; light hair with light skin, or medium-brown hair with medium skin, is low. It matters because the outfit that looks right on you usually repeats your own contrast: a high-contrast face can hold black with white, and a low-contrast face looks best when the colors in the outfit sit close together.

You can measure it at home in a few minutes. The Color Season Quiz asks about contrast too and uses your answer to judge clarity.

What contrast measures

Contrast here means value contrast: the difference in lightness, not in hue. Value is the light-to-dark scale that color systems such as Munsell use alongside hue and chroma. A face with very dark brows next to very light skin has a large value gap even if both are cool. A face with copper hair and peach skin may have very different hues but a small value gap.

Contrast is not a season on its own, but it pushes your result. High contrast is typical of the Winters and Bright Spring. Low contrast is common in the Soft and Light seasons. The True seasons and Deep Autumn usually sit in between.

Measure it in three steps

  1. Take the photo. Face a window in daylight, no makeup, hair loose around your face, against a plain wall. If your hair is dyed, use the color of your roots or your brows as the reading for hair.
  2. Switch it to black and white. Every phone editor has a mono filter. With hue gone, only lightness is left, which is exactly what you want to compare.
  3. Place each feature on a nine-step scale and count the steps between the lightest and darkest. Squint a little; it blurs detail and makes the overall value easier to judge.
StepWhat it looks like in grayscale
1White
2 to 3Very light to light gray: fair skin, platinum or light blonde hair
4 to 6Middle grays: medium skin, dark blonde to medium brown hair, hazel or medium blue eyes
7 to 8Dark gray: dark brown hair, deep skin, dark brown eyes
9Black: black hair, very dark eyes

Reading the result

Use the biggest gap you find, usually between hair and skin. As a working rule on this scale, a gap of three steps or fewer reads as low contrast, four or five as medium, and six or more as high. These bands are a practical convention rather than a standard, so a result on the edge of two bands means you can borrow from both.

Eyes add a second signal. A clear iris with a sharp ring around it raises the contrast you see, even when hair and skin are close.

Value contrast and color contrast

Some faces have little value contrast but strong color contrast: copper hair, bright blue eyes and pale peach skin, for example, are close in grayscale yet very different in hue. Treat this as medium contrast in practice. The colors in your outfit can differ in hue as long as they stay close in lightness: rust with teal works, rust with black does not.

Dressing for your contrast

Match the gap in your outfit to the gap in your face.

High contrast, such as dark hair with light skin. You can wear the strongest pairings: black with white, navy with icy pink, a dark coat over a bright top. Very tonal outfits in one middle value can look flat next to such a defined face.

Medium contrast. Choose pairs one or two steps less extreme: charcoal with soft white, navy with light blue, chocolate with cream.

Low contrast, where black swallows you. Black is several steps darker than anything in a low-contrast face, so it becomes the most striking thing in view and the face recedes. Tonal outfits work better: taupe with soft navy, camel with olive, gray with lavender. Why black makes some people look tired covers the alternatives in detail.

When your contrast changes

Contrast is one of the traits most likely to shift over a lifetime. Graying or lightening dark hair lowers the gap; a tan can raise or lower it depending on your hair. That is why a season can move to a neighbor while the undertone stays the same. Gray hair and your color season and dyed hair and your color season cover those cases. Retake the photo after any big change.

Questions people ask

How do I know if I am high contrast or low contrast?

Take a daylight photo of your face, switch it to black and white, and compare your hair, skin and eyes. A jump from near-white to near-black is high contrast; features that sit within a few shades of each other are low contrast.

What should low contrast people wear?

Outfits whose colors are close in lightness, such as taupe with soft navy or camel with olive, and blended prints. Stark black and white combinations tend to overpower low-contrast coloring.

Can medium contrast wear black and white?

Usually in softened form: charcoal or navy with off-white rather than black with optical white. The gap in the outfit should be close to the gap in your face.